“Bill & Ted Face the Music” takes up the familiar rhythms of the besties’ adventures



It’s been 30 years since Alex Winter and Keanu Reeves charmed audiences as Bill S. Preston, Esq. . In the third installment, “Bill & Ted Face the Music,” Reeves and Winter revisit their quintessential bestie burnout characters in a film that offers an easy dose of nostalgia.

In “Excellent Adventure,” Bill and Ted had to pass the story to avoid military school, which they did by putting historical figures together using a time traveling phone booth. In “Bogus Journey”, Bill and Ted escape hell to win the Battle of the Bands as Wyld Stallyns. Many years later, they’re still clinging to those rock’n’roll dreams. In “Face the Music”, written by original writers Chris Matheson and Ed Solomon, and directed by Dean Parisot, Bill and Ted face their midlife crisis.

The co-dependent brothers haven’t grown much over the years, which has hampered their lives with their wives, medieval princesses Joanna (Jayma Mays) and Elizabeth (Erinn Hayes), evident in a disastrous couples therapy session . They’re the proud fathers of music-obsessed Billie (Brigette Lundy-Paine) and Thea (Samara Weaving), but they’re way more of a guy than a dad. But soon, time travel calls, in the form of Kelly (Kristen Schaal), the daughter of their former futurist leader Rufus (George Carlin), who assigns them to perform a song that will unite reality and prevent the timeline from unfolding. collapse on itself. . With just a few hours, Bill and Ted harness their time travel prowess to wrest song from their future, and their time travel will help them learn to unite their own realities with their families.

“Face the Music” has all the seriousness one would expect from a “Bill & Ted” movie, almost none. It’s fun to watch Winter (now a prolific director) and Reeves (now John Wick) return to these roles, although the cognitive dissonance between the sweet doofus Ted and the Reeves we know as a serious action star and laconic be a long jump.

Weaving and Lundy-Paine turn out to be “Face the Music” breakouts, nailing their fathers’ ways. Their part of the story, traveling through time to pick up the best musicians to support the Wyld Stallyns, could have (or should have) been the whole movie. Anthony Carrigan (who plays NoHo Hank in HBO’s “Barry”) as a deadly but neurotic robot, chasing Bill and Ted through time as they hunt down their various futures in search of their song that unites reality, is another star. His cue ball head is a nod to William Sadler’s incredible twist as Death in “Bogus Journey,” and Sadler reprise his role here, along with Hal Landon Jr. as Chief Logan and Amy Stoch. as the ubiquitous stepmom Missy.

While realism shouldn’t be expected, what rings true is the casting of Hayes and Mays as the women of the duo. They are over a decade younger than Reeves and Winter, as well as two different sets of actresses than those who have played the princesses in previous films, and the age difference makes it feel like a trip down memory lane. time but in the worst, most Hollywood way.

Bouncing back in time Bill and Ted mean that the narratives in those movies are just loose assortments of wacky tunes and cameos, and “Face the Music” doesn’t stray from it. While it doesn’t quite blend cohesively, in this relaxed bounce with a pair of old buddies, it’s the dudes who remain excellent.



2.5 stars

Actors: Keanu Reeves, Alex Winter, Samara Weaving, Brigette Lundy-Paine, Erinn Hayes, Jayma Mays, William Sadler, Anthony Carrigan.

Directed by Doyen Parisot.

Duration: 1 hour 28 minutes.

Rated PG-13 for some languages.

Available on VOD



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